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Thematically, dancehall is seeded in the thorny social morass left behind by colonialism. From its origins in the late 1970s to the present day, the music has often chronicled, “the gritty realities of Kingston’s ghettos...sharing crude truths about the conditions of Kingston’s poor, their connections to Jah (Rastafari for “God”), the medicinal and recreational benefits of smoking weed.” Paul was an uptown kid with an artist mom and an incarcerated father, who grew up playing competitive water polo. “A lot of my first songs were really conscious,” Paul said. “A couple of songs I wrote for my demo were talking about the ghetto story—I was drawing comparisons between uptown, where I’m from, and downtown.” But it was the gyalis tunes about chasing, watching, and dancing with women, that would become his niche.In 2002, Sean Paul’s second album, Dutty Rock, hit big. By then he’d “gone international” after guesting on “Money Jane,” a posse cut by Toronto’s Baby Blue Soundcrew, which became an unexpected success on Canadian commercial radio. By the time Dutty Rock dropped, its first single “Gimme The Light” had already warmed up the clubs and streets via the Buzz riddim, a crackling, suspenseful loop that sounds like a tiny string section trapped in the digital chaos of a video game. It peaked at No. 7 on the Billboard Top 100—and then “Get Busy” leap-frogged it to reach No. 1 with a raucous music video in tow. Filmed in an unfinished basement in the suburbs of Toronto, the video by Director X prominently featured kinetic dance crews performing the latest dancehall moves and captured the innovative energy of a culture in diasporic translation.The videos from Dutty Rock immortalized trends originating in Kingston dance halls, with help from Director X and perceptive choreography by Tanisha Scott. The visuals were also in conversation with what was happening on BET and MTV. In the video for “Like Glue,” Paul’s brother gets on the mic, calling out dance moves as a crew performs on stage: “row the boat,“ “signal the plane,” “parachute.” Just the year before, in 2001, everyone—from Diddy to a bunch of kid dancers—was doing the Harlem Shake in G. Dep’s videos for “Let’s Get It” and “Special Delivery,” and the decade would go on to birth the Dougie, Stanky Leg, Crank Dat, and more.Dutty Rock also gave mainstream audiences a glimpse at the emotional complexity of dancehall. Scott’s choreography is precise, dramatic, and intimate, (her Kate Bush-meets-Patra work for Drake’s “Hotline Bling” captures this dynamic!). In the video for Dutty Rock’s third single, a cover of Alton Ellis’ twinkling 1967 track “I’m Still In Love With You” featuring Sasha, the waist-to-waist ballet reveals the promise of affection that keeps people

XXXTENTACION Become A Better Singer In Only 30 Days, With Easy Video Lessons! Hey there you, looking for a brighter season (yeah)Need to lay your burden down (haha)Hey there you, drowning in a helpless feeling (dutty, young blood sucka)Buried under deeper ground (uh)Yeah, okay, uh, uh, yeahI seem depressed, always being bothered, never lessKeeping me out of prison and putting me to the testThey ask me what is happiness, you write it on a checkOr you feel it on the sweat, when your dick is in the breast, huhUh, give me a sec, lookUh, mhOkay, okayIf death is what it seemsWhy is it so vividly portrayed within my dreams?Fear of understanding, the Devil's running his courseHatred's not received, it's coming straight from the sourceRemorse, as this time becomes a factorMind's full of greed, exposing your benefactorsBackwards, pace backwards, effort is superficialOnly breaching the surface, surface upon the EarthAnd flames engulf the Earth, and prized possessions, they incinerateThis is far beyond any director tried to demonstrateSee the record, here's the record, take the record, set it straightPerplexed, only receive slumber when at Heaven's gatesAnd this is fairly simple for your breath, try and contemplateYour conversates, hesitate and navigate your inner traitsBack to a time where minds were just matterIf you stated opinions, then bones would begin to shatterIt didn't matter back then 'cause there was no reacting, acting upChevy in black, AcurasAccurate facts put the black, in fact, if you thought thatYou are free, you should disregard that, all factsYoung X'ster, call me a young DexterMy hypothesis is death ain't shitI'd rather die than be alive in this lifeHonestly full of trife and strife, uh, JahHey there youTry to stand up on your own two feet, and, stumblin'Hey there youTry to stand up on your own two feet, and, stumblin'Hey there

[Verse 1]Too many suckers and not enough timeTo buck up all of dem with one clip from mi 9To shoot to kill, dem seh mi dont careI try to chill, but it nuh get mi nowhereI just put down mi gun inna fi mi suitcaseBig up mi fist, fi buck off dem faceFlip!, script!And a guy head lickBoof!, baff!And not one shot lick, cau'Toe to toe once againFi distinguish real bad bwoys demAnd if yuh a bad bwoy, not a guy caan tryLet mi see di fist dem[Chorus: Yami Bolo sample]Gotta take it easyWhy?Gotta take it easyWhy?Gotta take it easyWhy?Gotta take it easyMe no know...[Verse 2]Dutty bwoy jump up, dutty bwoy getSTOMPGet perpetrator, a guy getSTOMPSome guy cool, but him need fi getSTOMPIf dem buy dem back dem guns, seh dem run outta luckCau' we kill dem allAnd we come back aloooone, chi boom dehMad LionDeh pon microphooooooooneAlrightSo just step up, step upBwoy, whats up?Put your crew to di side, tek out yuh gold frontKnuckle up, knuckle up, and guard yuh grillNo need fi gun, cau' yuh get hurt stillThink unuh wicked?, Tell dem fi come!I have mi fist, mi nuh need not a gunNah guh touch you, if you dont touch mi firstIf you touch mi bwoy, you must bite di dustBad bwoy, rude bwoy, fickle face nah skin upDecent person, with an evil touchI dont bother nobodyI tansoback and clutchYou diss the program bwoy you must get-, Ahh![Chorus: Yami Bolo sample]Gotta take it easyWhy?Gotta take it easyWhy?Gotta take it easyWhy?Gotta take it easyMe no know...[Verse 3]Too many suckers and not a enough timeTo buck dem all off with di clip from mi 9So shoot to kill, dem seh, mi dont careI try to chill but it nuh get mi nowhereFlip inna mi pocket, and mi dip inna mi waistTek out mi gun, put inna mi suitcaseBig up mi fist, and you know mi run di placeOne, thump-thump, inna bwoy dem faceTwo, thump-thump, and we tear dung di placeThree, thump-thump, and him cannot escapeCannot escape, cannot escapeCannot mi seh, cannot mi seh, cannot escape, cau'Toe to toe once againFi distinguish real bad bwoys demAnd if yuh a bad bwoy, not a guy caan tryMek mi see yuh fist demCause I'm not a deejay, and I'm not a MCI'm one poetic member of tha crew B.D.PStep to we crew, bwoy it's no problemWe have di fist, and it quick fi

With J. R. Rotem’s label, Beluga Heights Records, in 2007. Throughout his career, he has been in relationships with Shaniece Hairston (2012) and Maliah Michel (2011), but he does not currently have any children.DiscographyStudio Albums:Sean Kingston (2007)Tomorrow (2009)Back 2 Life (2013)King of Kingz (2011)Road to Deliverance (2022)Notable Singles:Beautiful GirlsTake You ThereMake It HotFire BurningEenie Meenie (with Justin Bieber)Letting Go (Dutty Love) (featuring Nicki Minaj)Other Releases:EPs: Dumb Love, Take You There, Beautiful GirlsMixtapes: Several mixtapes throughout his careerNet WorthSome of Sean Kingston’s most popular songs include Beautiful Girls, Fire Burning, and Eenie Meenie. He has also collaborated with artists such as Justin Bieber and Nicki Minaj.Apart from his music career, Kingston has also made appearances in movies and TV shows. With his talent and hard work, he has amassed a net worth of $400,000. NOTICE!! NOTICE!! NOTICE!! DISCLAIMER!! : Every Biography and Content Published On TheCityCeleb are For Knowledge Reason. Don't Hesitate to Reach Out for Any Correction || Suggestion || Copyright!! CORRECT@thecityceleb.com