Vulture fortnite

Will achieve the optimum conditions, and then all that needs to be done is to adjust the signal level until the effect is heard.HARMONIC ANALYSISTo analyse the non-linear behaviours of the Culture Vulture, I ran a 100 Hz sine wave through the plug-in at various settings.100 Hz sine wave at -12 dB passed through CV T at cleanest settings (0.3mA, 8 Out)100 Hz sine wave at -12 dB passed through CV P1 at cleanest settings (0.3mA, 8 Out)Lol these are considered the cleanest settings, it certainly lives up to its reputation! The Culture Vulture generates strong second and third harmonics, with plenty of noise and additional low and high ordered even and odd harmonic components.100 Hz sine wave at -12 dB passed through CV P1 Tape Emulation settings (0.4mA, 8 Out)Very similar to the P1 cleanest setting but with stronger second and third harmonics. Hence, its richer and fatter sound!The Culture Vulture harmonic generation and saturation is highly dependant on input level and parameter settings. I would be hear all day trying to depict this in screenshots, and it would just be confusing. Therefore, I have stuck to the cleanest settings of T and P1 and my favourite P1 at 0.4mA.SATURATION CHARACTERISTICSFor this test I ran a synth loop through the Culture Vulture at various settings. I have compensated for level so that the synth loop peaks at -1 dBFS for maximum resolution of the waveform in Pro-L.Dry Synth LoopCulture Vulture T at Cleanest Settings (0.3mA, 8 Out)Culture Vulture P1 at Cleanest Settings (0.3mA, 8 Out)Culture Vulture P1 Tape Emulation (0.4mA, 8 Out)Culture Vulture T Overdriven Output (0.3mA, 11 Out)Culture Vulture P1 Overdriven Tape Emulation (0.4mA, 11 Out)Wow, I guess a picture says a thousand words, I would not like to try and decode the saturation characteristics of this plug-in and refer to the manual: ‘The Vulture Culture captures the natural, in-between-the transients dynamic bias response inherent in the Culture Vulture’s valve-driven circuit’.AUDIO EXAMPLESDry Synth LoopPultec Dry Synth.aif (1.3 MB)Culture Vulture T at Cleanest Settings (0.3mA, 8 Out)CV Cleanest T 0.3mA 8 Out Pro-L Boosted.aif (1.3 MB)Culture Vulture P1 at Cleanest Settings (0.3mA, 8 Out)CV Cleanest P1 0.3mA 8 Out Pro-L Boosted.aif (1.3 MB)Culture Vulture P1 Tape Emulation Settings (0.4mA, 8 Out)CV P1 0.4mA Tape 8 Out Pro-L Boosted.aif (1.3 MB)Culture Vulture P1 Overdriven Tape Emulation Settings (0.4mA, 11 Out)CV P1 0.4mA Tape 11 Overdriven Out.aif (1.3 MB)Some Nice CV

Overdrive!CV Nicely Overdriven.aif (1.3 MB)Culture Vulture T (+20 Overdrive 0.4mA, 8 Out)CV T Overdrive 20 0.4mA 9.5 Out.aif (1.3 MB)Culture Vulture P1 Tape Emulation (+20 Overdrive 0.4mA, 8 Out)CV P1 Overdrive 20 0.4mA Tape 8 Out.aif (1.3 MB)I really do not like the +20 Overdrive settings on the plug-in, and not to fussed about the P2 distortion either. I think the T and P1 modes have beautiful saturation properties at Drive settings below 6 but breaks up a little too much after this point, all subjective though.FREQUENCY AND PHASE RESPONSELets take a look at Culture Vulture’s frequency and phase response at various settingsWhat I am looking for is the frequency and phase response of the plug-in at unity and how particular settings change this relationship.Spectrum ColoursYellow - noise generated by the plug-in analysis software to analyse the plug-inWhite - frequency response of the plug-in at that particular settingRed - phase shift of the plug-in at that particular settingCulture Vulture T at UnityCulture Vulture P1 at UnityCulture Vulture P2 at UnityT and P1 frequency response looks how it sounds, rolling off the lower and upper frequencies. I do not like the look of them ripples in the low frequencies of P2, not an ear pleasing frequency response all round in my opinion.Culture Vulture T at Max DriveCulture Vulture P1 at Max DriveCulture Vulture P2 at Max DriveI guess this is why I dislike Drive settings above 6, I think it sounds flabby and the frequency response confirms this notion.Culture Vulture T with +20 dB OverdriveCulture Vulture P1 with +20 dB OverdriveHmmm, although I said I did not like the sound of Overdrive, I think this setting could really work nicely on the right sources. I shall not overlook this feature anymore!Bias did not have any non-linear effect on frequency or phase response.

But I hear what you are saying.I am just going by the correct wiring procedure.Nobody is going to remember that certain pieces need non standard connections. Like when I fire up my Summit MPC100A and forget that pin 3 is hot just like old Ampex gear... Of course, now I have a reverse wired cable in the loom for that piece, so I don't have to think about it. Here for the gear Joined: Mar 2016 🎧 5 years So this basically mean that I connect the Vultures output to balanced gear with a balanced cable with no need of a DI box, right? Quote: Originally Posted by Deleted f9397be ➡️ By the way, the input jacks should not have shield and ring wired together. Ring should float. Otherwise there is the chance of error of sending signal into the ground (potentially doing damage to the gear.) Would this only apply if I use TRS cable on the input? No need to worry if I use TS? Quote: Originally Posted by uc.t ➡️ So this basically mean that I connect the Vultures output to balanced gear with a balanced cable with no need of a DI box, right? This is about wiring and ground and a DI box does more than that. You'll have to check the output level of the Vulture and output impedance to determine if you need a DI box. But yes, you can use a balanced cable out of the Vulture into a balanced input without worry. I'm pretty sure impedance and gain are fine on the Vulture (I can't remember ever using a DI box with it) and it's just a quirk of Thermionic Culture to run unbalanced for their wiring. Quote: Originally Posted by uc.t ➡️ Would this only apply if I use TRS cable on the input? No need to worry if I use TS? For the input into the Vulture, it depends if your source is balanced (3 pin) or unbalanced (2 pin). Unbalanced out into the Vulture using a TRS or TS cable won't make a difference. Balanced out into the Vulture, you need to take pin 3 (cold) and wire it to ground (pin 1) in the cable on the signal source side (not near the Vulture) or you can just disconnect pin 3 (less good). The cable end at the source side can be TRS or XLR-F. The cable end at the Vulture can be TRS or TS. Here for the gear Joined: Mar 2016 🎧 5 years Quote: Originally Posted by pentagon ➡️ This is about wiring and ground and a DI box does more than that. You'll have to check the output level of the Vulture and output impedance to determine if you need a DI box. But yes, you can use a balanced cable out of the Vulture into a balanced input without worry. I'm pretty sure impedance and gain are fine on the Vulture (I can't remember ever using a DI box with it) and

DescriptionEven Lower noise + long life valves. Accurate side to side matching.Frequency response extended.Indented controls for easier recall.Function switch has extra distortion type position.Overdrive switch has extra mid-way position. Output attenuator switch for better control of strong signals. Balanced line inputs and outputs on stereo jacks. Unbalanced Output also provided. High Impedance DI InputThis new version of the Culture Vulture Mastering was introduced in 2011, designed to give the user not only an accurate “mastering” version of the Culture Vulture but more effect options. The chassis was enlarged and the power supply improved at the end of 2014, giving negligible noise at most settings.The unit is accurately aligned for stereo or single channel operation. All valves are “military” specification, NOS, made in France and USA and have low noise plus extended life.With mastering in mind, this version of the Culture Vulture retains all of the qualities of the earlier design, and has closely matched controls and valves. A test report is supplied with each one, which gives the optimum current (usually 0.25 mA) which the Bias controls should be set to for minimum distortion.The text below refers to one channel (the other the same). The “Function” control now has 4 settings:T triode type 2nd harmonic distortionP1 pentode type, 3rd harmonicsP2 new setting, as P1 up to a peak, then over-compresses with distortion effectsP3 the original P2 setting (“no holds barred”)The Drive control consists of an indented pot for fine control and a switch which increases the input gain in 2x 10 dB steps to “Overdrive”. The Output Level control also has an indented pot for fine control and a -10 dB switchable attenuator.Sowter transformers are used to balance line input and output. There is an Unbalanced Line Output as well for those who prefer the more ‘Open’ Sound. The DI input is high impedance, high gain for instrument use.The bypass switch ignores the DI input and connects any signal coming to the line input jack to the line output jack, bypassing the electronics for comparison purposes.Culture Vulture MP (Product Sheet)Culture Vulture MP (Product Spec)Culture Vulture MP (Manual)Culture Vulture MP (Recall Sheet)There are no reviews for this product yet.Culture Vulture MP YouTube Video