Youtube darks

Image awash in a new tone that can then be painted over. ExclusionExclusion operates similarly to Difference, as shown above, but noticeably loses potency as the value of the blend layer approaches 50% gray.SubtractSubtract is an interesting tool that can be used to darken the brighter parts of an image. As shown above, blending with white results in pure black, while blending with black has no effect on the image. This is because Photoshop subtracts the value of the blend layer from the base layer, resulting in darker lights and unaffected darks. DivideWhile it might be counterintuitive, Divide is the functional opposite of Subtract (not Add); Divide takes the value of each color channel in the blend layer from the base layer. This results in lighter darks and unaffected lights, as shown above. Component Blending ModesHue Hue is a useful tool for forcing a recolor of the base layer by preserving the value and saturation of the base layer and replacing it with only the hue of the blend layer — i.e. it keeps the darks dark and the lights light while replacing only the local hue, as demonstrated in the upper color swatches on the image.SaturationSaturation exerts the same effect as Hue, except with, well, saturation. The luminance, value and hue of the base layer are maintained while the saturation is replaced with that of the blend color. The flowers in the example above are already highly saturated, reducing the visibility of the effect. ColorColor operates similarly to Hue

The spot removal tool)Tone curvePost-crop vignettingRemove toolAnd now for a bit more “spot the difference”!There was a blob of white on one of the bricks that really distracted me, so I used the Lightroom spot removal tool to get rid of it. Did you notice it?Tone curveRather than using the contrast slider, I prefer to use the tone curve tool to add a pop of contrast. It’s a very slight adjustment, as you can see in the screenshot of the slider below, but it makes a big difference.First I added three points on the tone curve at regular intervals (between shadows and darks, darks and lights, lights and highlights). I then:Pulled down the point between shadows and darks (the second point from the left) to increase contrast by darkening the shadowsSlightly raised the point in the middle to lighten the midtones ever so slightlyPulled the next point (second from the right) down fractionally to tame the highlightsPost-crop vignettingThe final touch was adding a very slight post-crop vignette to the photo.I do this a lot, but always keep it very slight. While I always advise not being heavy handed with editing, photography style is all about personal choice, so do what you think looks good.The effect of darkening the edges of the image slightly helps direct the eye to the model, the lightest part of the image.Before and after Lightroom edits – example No. 4I did a lot more editing on this image. Before scrolling down, can you guess the edits I made in the before and after edited photos?Here are the five differences:Remove tool (aka spot removal)Masking (brush)Skin smoothing to face and body with masksTone curveHSL (saturation) sliderPost-crop vignettingRemove tool in Lightroom editingEven though it was late in the day it was still very hot and sunny day and the

Basic chords - F#m, B, E, A, G#, C#m and F#m in sequence. A strategic approach would be to train at 69 BPM initially, and then accelerate to the song's tempo of 138. Configure the capo to your vocal range and chord preference, remembering the key of E Major. We go together _ _ Better than birds of a feather you and me _ We change the weather _ Yeah, you're beating heat in December when you're around me _ I've been dancing on top of cars and stumbling out of bars I follow you through the darks and get [E] enough You're the medicine and the pain, a tattoo inside my brain [A] and baby, [E] you know it's obvious _ [C#m] I'm a sucker for you [F#m] _ [B] _ Say [E] the word and [A] I'll go anywhere blindly [G#] _ I'm a sucker for [C#m] [F#m] you _ [B] _ _ [E] Any road you [A] take you know that you'll find [G#] me [A#] I'm a sucker [C#m] for All [F#m] the subliminal [B] things [E] No one knows [A] about you About you, [G#] about you, about you [C#m] Oh, [F#m] you're not typical [B] me [E] You make me difficult [A] _ _ _ [G#] It's true I'm a [C#] sucker for you [E] _ [Bm] Yeah _ [C#m] _ Don't complicate [B] it Yeah [E] Cause I know you and [C#] you know everything [B] about [E] _ [G#] me [C#] I can't remember [F#m] _ [B] _ [G#m] All of the nights I [C#] don't remember [B] you around me [G#] [C#] I've been dancing on [C#m] top of cars and stumbling out of bars I follow you through the darks and get [G#m] enough You're [E] the medicine and the pain, a tattoo inside [G#m] my brain [C#m] and baby, you know it's obvious I'm a sucker for you _ [F#m] _ _ [B] _ [E] Say the word and [A] I'll go anywhere _ [G#] blindly I'm a sucker [C#m] for you _ [F#m] _ _ [B] _ [E] Any road you [A] take you know that you'll find [G#] me [C#m] I'm a sucker for All [F#m] the subliminal [B] things [E] No one knows [A] about you About you, [G#] about you, about [C#m] you Oh, [F#m] you're not typical [B] me You [E] make me [A] difficult _ _ [G#] It's [F] true I'm a sucker for you [A] _ [N] Yeah I've _ _ _ _ [E] _ _ [Bm] _ _ [C#m] _ _ _ _ _ [B] _ _ _ [E] _ _ _ _ _ [B] _ _ _ [E] _ [C#] been dancing on top of [B] cars and stumbling [F] out of [E] bars I follow you through the darks and get [G#m] enough You're the [E] medicine and the pain, a tattoo inside my [G#m] brain [C#m] and baby, you know [B] it's obvious [C#m] I'm a sucker for